Methacton Performs The Irish Wake of Patty O’Toole

Methacton Performs The Irish Wake of Patty O’Toole

What an amazing performance by Methacton Community Theatre who put the Sapperstein & Murway comedy, The Irish Wake of Patty O’Toole on stage from March 6 through 16.

Stage Magazine wrote their performance up, two times, found here: http://bit.ly/1d436ww.

“Sapperstein and Murway have written a fun filled evening of Irish themed humor.  The cast is having a ball and it radiates to the audience,” — Arnie Finkle, Stage Magazine.

Patty O’Toole has passed on and the town gathers at his wake to mourn and remember this mischievous trouble maker and his leprechaun inclusive events when it seems, Patty’s not done creating mischief.  He shows up at his own wake rather than wait in line at the pearly gates for his turn at his interview.

Check out “The Irish Wake of Patty O’Tool” in our catalog by clicking here.


J&G Gypsies Perform Friends in High Places, Final Approach

J&G Gypsies Perform Friends in High Places, Final Approach

Sheboygan Falls WI: The J&G Gypsies are once again on stage at the Final Approach Dinner Theatre in Sheboygan Falls Wisconsin, performing the Sapperstein & Murway comedy, “Friends in High Places.”

Directed by Sheboygan’s own Ralph Maffongelli, aliens from the planet Quirdmut land on the Mall in Washington DC seeking our help, but wind out having to deal with our corrupt politicians to get it solved.

“This is a funny play that’s great for the whole family,” shared Ralph Maffongelli.  “We welcome to the stage in starring roles, Randy Stache as President Arnot Thinkinear; Chris Fontaine as Powers Wayning; and Mike Roehl as General Geroge S. Trojan.”

Returning to the Final Approach stage with the J&G Gypsies is Susan Chambers Johnson as the alien Foit, Kevin Horne as the news reporter Chase Storyman and Tamara Richelle Pool as reporter Lilac Hellowitz.  Joining them is Randall Stache as President Arnot Thinkineer, Ben Johnson as the alien Gnudt, Jim Johnson as the alien Loodigun, Danielle Rammer as Lola Clematis, Clarke R. Krist as Shelby Dunn and Pat Forkner as Sunny Day.  Costuming and set design by Tony Olson.

Friends in High Places is on stage April 27th, 28th, 29th & then gain May 3rd, 4th & 5th.  Tickets are on sale now with good seats still available, with a Matinee performance on April 29th. Enjoy dinner with your show, or just come for the show only.

The aliens from the Planet Quirdmut will be available after the show for photography with the audience.  Also available after the show is an audio CD of the journey of our politicians to the planet Quirdmut to build intergalactic diplomatic relations.

Call 1-855-345-5550 (toll free) for tickets and information.  Box Office is open until 9pm.

The J&G Gypsies, led by Ralph Maffongelli, is a wholly owned subsidiary of J&G Unlimited, LLC a theatrical licensing firm representing the writing and composing team of Judith Sapperstein & Gary Murway.  For additional information, please visit the J&G website at http://www.TLCScripts.com, or for the Gypsy show schedule.

The Final Approach Restaurant serves fine dining at a reasonable price.  The food is exceptional and the menu is expansive, serving breakfast, lunch and dinner.  In addition to their restaurant, they have a Banquet Facility that can handle up to 650 people for weddings, parties, events, conventions and more.  To learn more, please visit http://www.FinalApproachRestaurant.com.

Tracy Byrne, VP, CMO

Regals Last Resort, now called Love and Merger, First on Funny

Regals Last Resort, now called Love and Merger, First on Funny

Love and Merger was formerly called Regal's Last Resort

Love and Merger was formerly called Regal’s Last Resort

Released August, 2010, Regal’s Last Resort promises to keep you laughing all the way through.  This fun new comedy from Sapperstein & Murway, Buck’s County’s latest creative team, requires minimal sets and a cast of only 8 with 2 additional members hiding in the audience.


It’s 1996 and the town of Regal, South Carolina is going bankrupt.  The town grew up surrounding the Regal Typewriter Company and with the advent of the computer, nobody wants typewriters anymore.

The town founder, owner of the Regal Typewriter Company, Colonel Beaumont, dies of old age and having no heirs, leaves his entire estate to the town of Regal.

Through much discussion, it is decided that, with all the experienced talent on the Board, the best thing to do is to turn the Factory into a Shopping Bazaar and the Colonel’s large home estate into a posh Hotel Resort and Spa.

On the Board is an Attorney, an Accountant, a Building Contractor, an Interior Designer, a High School Gym Teacher, a Real Estate Broker and Daisy Biskett.  Daisy is the owner of the local restaurant and has written and published a cook book.

Then there is Masood Habibi.  He is the owner of Habibi Fine Rugs, which always seems to be running a 20% off sale.  Masood, being the clever businessman that he is, has his own agenda.

The greed sets in and everyone see’s an opportunity to get rich quick.  Finally depleting the town coffers of all working capital, they must make an accounting at a Town Hall meeting, but they have backed themselves into a corner.

Miraculously there is an anonymous buyer that wants to purchase the Hotel Resort at a very good price and quickly.  However, the Townspeople become suspicious after the council sell’s the Hotel and restores the town’s bank account with the proceeds.

The Townspeople rebel until finally, Daisy Biskett can’t take it anymore.  She hysterically announces that SHE is the buyer.  She has made so much money from the sale of her cook book, that she is more than able to make the purchase.

There is greed, fist fights, a secret sexual tryst, unrequited love, several 20% off sales and in the end, there is even talk of a bordello.

CONTACT J&G today to receive a free perusal script of Regal’s Last Resort 215-345-5550 or email Creative@JandGUnlimited.com

Learn more about Regal’s Last Resort on our website, click here.

Where have catchy musicals gone

Has anyone noticed that musicals just don’t seem to stick in the head like they used to?  Yes, some rise to great fame and popularity like Cats or Wicked, but what do you remember about them 10, 20 or 50 years later?  Once their run is over, do you think 50 years later theatres all over the world will still be paying to perform them as they do Gypsy or Oaklahoma?

Think about it … “I’m gonna wash that man right outta my hair” became a commercial ditty, but got its start in the amazingly popular stage musical and movie, South Pacific.  Then There’s always “Singin In the Rain,” while that was a movie, it was still a musical and who can forget that tune?  Come to think of it, where did the musical and dancing movies go?

So, how many songs from “Cats” do you remember well enough to hum a few bars?  What about Wicked? They’re amazingly popular Broadway musicals, but the music from them don’t seem to have longevity with any age bracket.  Why is that do you suppose?

Well, I’ve read a number of blogs on the topic … the general consensus is that today’s musicals are actually being classified as “modern operas.”  The songs are actually the speaking lines set to music whereas the good old show tunes and memorable plays like “Funny Girl” or “Gypsy” even “Oklahoma” have the story happening in the lines and the songs are there to enhance the story line, but not be the actor’s lines.  Because of this, they’re memorable, they’re catchy … and today, in the new millennium, 50 years or so after they were originally produced, these plays are still the popular favorites for small and large theatrical groups around the world.

What’s going on in the entertainment industry these days with the types of productions being produced?  So many things are spin-offs, remakes, rewrites, spoofs … where’s the original works?  The truly new stuff as once came about in the early days of Broadway?  Research has brought me to realize that the smaller theatres wont do it unless the production is proven to bring in a crowd and make money and Broadway wont take much note unless it’s been performed in smaller venue’s.  Kind of a catch 22.

Has the stage seemed to have lost it’s draw to the world as the silver screen spin’s off the new “classics” like “G.I. Joe: Rise of the Cobra,” and “Transformers,” or yet another Friday the 13th remake.  It’s all death, dismemberment, violence, big guns, high tech, blow it up bigger than the other guy and scare you out of your pants.  It’s no wonder the kids are doing this to each other.  Don’t get me wrong, I loved Transformers :), and I’m sure when the kids drag me to GI Joe I’ll probably enjoy it at least once, but I just wish there was more going on with entertainment than this.

I wish there were more opportunities to take the kids to the theatre, off Broadway, off-off Broadway, doesn’t have to be on Broadway.  But if I take them, I don’t want to see another rendition of Cinderella, or a stage version of a Disney cartoon and they don’t want to see a long boring drama … wouldn’t it be nice to walk out laughing with a tune stuck in your head that you enjoy humming throughout the house?

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