by tracyrenee | Nov 16, 2010 | Comedy, New Releases, Play Perusals
A Comedy You Won’t Soon Forget!
CAST SIZE: 4
LENGTH: 1 hour, 30 minutes
(not including intermission or scene changes)
Maxine and Charlotte are sisters. Two buxom and full figured women who have worked hard all their lives and never quite gotten out of “Trailer Park” status. Although they have a tough exterior, they are actually very good people.
Maxine’s husband has just died of a sudden heart attack while he was on the road with their brand new Peterbilt Truck. Maxine reveals to Charlotte that Nelson’s heart attack could not have come at a worse time. They just bought the new rig, and Maxine is left in debt up to her eyeballs.
Trying to help, yet feeling at a loss, Charlotte says, “It’s a shame you can’t just pick up where Nelson left off.” Charlotte, of course does not really mean it, but Maxine suddenly figures… “Why NOT?” And so the adventure begins! And, while they’re at it, they will take Nelson’s ashes with them, hoping to find just the right place to spread them where he would be most happy.
The two women, assisted by Maxine’s loveable yet intensely micromanaging neighbor, Mary Ellen, pack the truck and take off on their first run. They get off to a bad start by taking a wrong turn and creating a major incident in a “NO TRUCK ZONE,” but soon feel reassured when they meet “Sugar Daddy” on the CB radio followed by Roy McCoy, a strange little guy with very big feet. Is it true what they say about a man with big feet?
Things get complicated they meet a hooker named Trixie at Rosie Mae’s Truck Stop. It seems Trixie knew Nelson quite well and Maxine is not amused. It now becomes painfully apparent that they have found just the right spot for Nelson’s ashes. In a roaring fury, Maxine locks herself in the Ladies Room, gives her farewell speech and flushes Nelson down the toilet. After all, he loved the water, the ladies and Rosie Mae’s Truck Stop. What could be more perfect?
With Maxine finally reaching “Closure”, the two women climb back aboard their shiny new truck and take to the road with the goal of putting their past behind them and looking forward to what lies ahead.
LOOK OUT… Here come the Mother Truckers. “The road” will never be the same again!
by tracyrenee | Sep 2, 2010 | Uncategorized
J&G Unlimited has always been strongly committed to furthering the theatrical community and the quality and diversity of the works they have available to perform. Our objective is not to just license a play to you … no. We want to build a long-term relationship with you and your theatre, one that will benefit us both and help further our goals of great theatre everywhere.
Because of the like-minded commitment of the American Association of Community Theatre (AACT) to our own, and both organizations’ desire to help theatres in every way possible, J&G now offers an exclusive deal for members of the American Association of Community Theatre (AACT).
License any of our works and save 25% off the total cost of materials. Add to that the fact that, with J&G, you ALWAYS keep the materials … well, you save on shipping costs as well.
by tracyrenee | Feb 24, 2010 | Uncategorized
![RalphMaffongelli - smaller](http://jandgunlimited.com/wp-content/uploads/2014/10/RalphMaffongelli-smaller.jpg)
By Ralph Maffongelli
Bucks County, Pennsylvania: What does the American Association of Community Theatres have to do with a theatre director’s transition from community theatre managing director to royalty house sales rep? Well the organization did not broker the deal between the Sheboygan Theatre Company (STC) and J & G Unlimited for the production of one of their musicals, nor did it play headhunter when I retired from STC and was approached by J & G. But AACT was literally at the center of the entire process.
It was through AACT that J & G located me and STC when they were promoting their catalog and one play in particular. The continual networking that AACT does, bringing all types of theatre companies together, led to a phone conversation between me and Judith Sapperstein, the J of J&G and one half of an energetic and talented collaborating duo.
As is so often the case, the piece first pitched was not the one STC produced. But we almost immediately began working on the world premiere of the election satire HUH? as our annual July 4th offering. The process could not have gone more smoothly and J&G was totally supportive throughout, even though we asked to make an incredible number of cuts and alterations in order to adapt the show for our free, daytime, outdoor venue.
When I shortly after decided that, having spent twenty-eight years at the helm of the Sheboygan Theatre Company, it was time to retire, Judy asked if I would join J&G and assist them in promoting their works. Based on the very positive relationship which had bloomed, I immediately said, “Yes.”
But still the question remains, why would someone be willing to go from one side of the desk to the other, transitioning from mounting shows to convincing others to do so? The answers are quite simple. First and foremost the scripts are good. Otherwise I would not be involved. As Shakespeare said, “The play’s the thing.” That’s the bottom line. Judith Sapperstein and Gary Merway turn out wonderful, well-written, well-conceived plays and musicals that are funny, entertaining and both producer and audience-friendly.
Secondly, J&G is committed to Community Theatre. They truly want to see good theatre presented and good theatres succeed. They will work with a producing company every step of the way, from making the script, perusal and royalty process as simple as possible to solving production challenges and authoring script changes. Thirdly, with their own marketing department and complete recording facilities, they have the necessary resources to provide this assistance. Along with scripts and scores come audio tapes which range from those with and without lyrics so performers can fully appreciate the vocal melodies to those that can be used in performance. Moreover, J&G designs, produces and markets ancillary products specifically for each show to be sold at show time.
So it was an easy sell for me to join J&G, but had it not been for the commitment of AACT to the national and international networking of all entities involved in producing quality amateur theatre the connection may never have been made. So keep reading good scripts and continue networking through AACT.
About J&G Unlimited, LLC.
J&G is a licensing company representing the works of Judith Sapperstein & Gary Murway. Being a small firm, J&G has the power and flexibility to work deals with theatres that will suit their timelines AND their budgets quite nicely. Additionally, J&G keeps the directors in close contact with the authors when they need to ask questions, get approval for changes or otherwise make requests. Need to receive your materials sooner than 8 weeks? DONE! Need materials you do not need to return when the show is over? DONE! Need to NOT be nickle-and-dimed to death on all the little things? DONE! Partner with J&G today and lets get the show on the road!
Contact Information:
Tracy Renee
Vice President, Marketing
tracy@JandGUnlimited.com
215-345-5550
http://www.JandGUnlimited.com
by tracyrenee | Apr 4, 2009 | Articles, Children's Theatre
It is really wonderful to see how “Children’s Theatre” has taken off. I don’t mean children “performing” theatre. I’m talking about professional adults creating professional performances and taking them TO the children. New theatre product is being created and performed in schools and theatres for the benefit of exposing children to the wonders of live theatre very early in their lives.
Advancements in costuming and puppetry has made for an instant lure to the inventive and imaginative minds of children everywhere. There are more Children’s Theatre Groups popping up all over. Some are associated with a particular theatre and others are independents…ready to travel and perform in a variety of different locations.
In this world of television cartoon characters shooting and blowing everything, including themselves, up … as well as the frightening and sinister super villains that are ready to spew fire and pound the bad guys into the ground with their super human powers, it is good to see a venue evolving that gives our children at least a fighting chance of experiencing wholesome, pleasant adventures through the magical ride that is live theatre.
That is precisely why we created BLOOMIN™. We wanted to put something out there for theatres to perform, that lets children laugh with fascination, while adults can laugh at the double entendre and not be bored as they might with a live expo of say … Thomas the Tank Engine or Barney. We really wanted to promote a positive message for children to grow up with and adults to enjoy. BLOOMIN is deliberately exposing children to the joys of live theatre and music as well as concepts such as gardening being fascinating, fun and productive (very green).
Sometimes it’s good to take a step back in time where the old carefree and easy musicals of the early days of theatre might become the new fangled kid on the block in today’s theatrical industry, such as we’ve tried to do with BLOOMIN. There’s truly something for everyone. Each piece of music is a different genre so that NO ONE will be disappointed.
So what is your theatrical group doing in the sub-set of Children’s Theatre? What do you look for when you look around for something new to show your young audiences?
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