On May 18-22, 2016, the Gypsy Stage Company, under the direction of Internationally acclaimed director, Ruth K. Brown, took Sapperstein & Murway’s work, Women are from Venus, Men are from Uranus, to the Liverpool International Theatre Festival in Liverpool Nova Scotia Canada. They represented the United States against an amazing lineup of talented directors, actors and theatrical works from all over the world.
Well, it was a very talented group of directors and actors, with some amazingly written theatrical works, all performed at one of the most stunning events involving the entire community of Liverpool Nova Scotia in a way that was positively second to none! It was such an honor to be a part of this, to be among such talented peers and with a devoted and giving community such as this.
We were fortunate to come home with a lasting memory and an even bigger honor … The Gypsy Stage Company brought home the First Place award for our work. It was such a thrill to represent our country in this way and we wish to express our profound gratitude to the Gypsy Stage Company and Ruth K. Brown for their love of our work and belief in its ability to “bring home the gold.”
Here’s the full list of competitors:
- Name of Group: Arco Voltaico
- Name of Play: La celula – Acto incompleto y orquestado
- Name of Group: EFAC Black Box Theatret Lab Sibate Colombia
- Name of Play: BACK…BAK
- Name of Group: EAST VOICE GROUP FOR ARTS
- Name of Play: The Seven Days
- Name of Group: Signagi Theatre
- Name of Play: A Strolling Group of Actors
- Name of Group: BHARATI KAPADIA THEATREA
- Name of Play: Untold Stories
- Name of Group: Compania Teatral “Tercera Llamada”
- Name of Play: Curva Peligrosa (Dangerous Curve)
- Name of Group: Dramatic Association for Artistic Creation
- Name of Play: Black and White
- Name of Group: Creative Academy/Lok Drishti Theatre
- Name of Play: Abhagini Aama – 2
- Name of Group: Cuerpos y Alma
- Name of Play: De la Cocha al Mar
- Name of Group: Associacao Manipulartes companhia de teatro de marionetas
- Name of Play: Manipulartes Apresenta / The Lover Fish
- UNITED STATES OF AMERICA
- Name of Group: Gypsy Stage Company
- Name of Play: Women are from Venus, Men are from Uranus
- Name of Group: VTP Veneteatro Producciones
- Name of Play: St. John of the Disabilities
- Name of Group: Chipawo – New Horizon Theatre Company
- Name of Play: The Most Wonderful Thing of All (A Doll’s House)
In England, nearing the end of World War II, Richard Swan and his wife Nora were in a terrible car accident that claimed his life and left her blind. It is now 1951, Nora lives in New York City, and an old friend of Richard’s comes into her life with the shocking news that Richard was an OSS Operative and he was in fact, murdered to keep what he knew a secret … and now, those killers were after Nora! But Why?!?
Hi, Tracy here — I’m back again :). This time I bring you “Nora Swan: Murder Most Personal”.
But before I can tell you about the making of this little gem, it’s important to bring you up to speed on something else … you see, Judie has always had this … affliction, if you will. The kind that prevents anyone from wanting to watch movies and tv programs with her, especially murder mysteries. She inevitably ALWAYS figures out the plot and the who-dun-it within the first 10 – 20 minutes of the program and before she thinks it through, blurts it out, ruining it for the rest of us! Do not fret friends, we’ve been working on her for some time and I think it is safe to say that she is now a recovering plot-spoiler!
One day, Gary said to her, “why don’t you write a murder mystery and see who gets your plot before you’re ready.” He was kidding at the time, but the idea stuck with them both and one day, Judie woke from a heavily dream-filled sleep, “I wrote a murder mystery last night,” she says to him over a cup of tea (coffee for him, creamy through an I.V. lol). There was a time this would have had him giving her the oddest looks, with much confusion and a stammered, “just last night?” But not now. The general plot points were shared and the two of them got right to work on filling in all the details and bringing the characters to life.
One day during this creation process, I walked in the office and wound out standing quietly in the back, watching and trying to contain my laughter. I find them quite amusing. She was so focused, “no no no, the blood will spatter that way and it’s all wrong,” to which Gary replies, “but if you shoot from this direction then [so and so] is in the way (yes I just censored myself to save the story for you … will wonders never cease lol). They went on and on about weapons, blood spatter, angles and the like, “bad time?” I asked, to which she replied, “I can’t talk right now, I’m murdering someone.” I just started to chuckle, thinking “oh I hope homeland security isn’t eavesdropping, they just wouldn’t understand.”
Turns out, they weren’t just plotting murder … in their story that is … they were doing a full scene diagram with little shapes that denoted different types of furniture, little people and moving and placing them about to make sure they got the staging right … that it all made sense. I hope they saved those little pieces, could be fun years down the road to stumble across them.
In any event, there’s another little snippet for you from behind the scenes with the Judie and Gary hour. Perhaps next time I’ll delve into a meeting that has Gary on the trampoline, or laying on the floor under the desk all while Judie is … well … flailing :).
Hope you’re having a wonderful day and look forward to working with ya!
All my best,
By special request from The Rosarito Theatre Guild, we created a Vaudeville style “Follies”, added our own wacky sense of humor,and created wonderful new scenes and scenarios featuring music from musicals written by Sapperstein and Murway and voila!… The “Fractured Follies” was born!
Hi, it’s me again, Tracy Renee, VP/CMO of J&G.
Did you know that back in the 1980’s, Judie and Gary were a musical duo, writing their own music and performing at more venue’s in the tri-state area than you could shake a stick at? Today, some of those songs work their way into their musicals such as Morning Song in Bloomin, but so much more is brand spankin’ new. By the way, if you clicked to listen to Morning Song, that’s Judie singing.
Music has been at the heart of their collaborations for … well, a long time, but don’t tell Judie I gave away anything about her age 😉 she swears she’s only 23 hehe.
Anyway, we’ve been working with The Rosarito Theatre Guild out of Rosarito California for several years now, a relationship that began when they discovered that our Press Play system enabled them to put on a musical for the first time ever.
After their huge success with Dancer the Footloose Reindeer, Sylvia called and said “you do know you are writing me a new musical for next Christmas, right?” and Santa’s Other Reindeer was born. Far be it for Judie to miss an opportunity to fill a need :).
While Santa was still being written though, Sylvia contacted Judie and started talking about how easy our works were to perform, and how amazing it was that she’s able to pack her theatre full when she performs our works. She wanted to know what else we had that wasn’t for the Christmas season, something simple to perform with a small cast size but that could include many more people if they chose.
As is wont to happen with a mind like Judie’s, the new show started instantly unfolding in her head, but we’d had a meeting just the day before about “no new musicals till we finish what we’re working on now!” The next thing I hear is the shout through the studio, “Oh No, I’ve Brainstormed and I can’t make it Stop!” Gary and I looked at one another, shook our heads with a chuckle and all we could seem to say was, “here we go again.” And though not yet named, that was the moment that Follies was born.
Keep in mind, it’s summer 2014. We’re still working on Santa — finishing the music, the Press Play CD, the performance versions of the music, the demo versions of the music and doing script clean-up and here we are with something new that needed to be done and ready to send to Sylvia for the 2015 summer season. We discussed how to make another musical in time (Judie just can’t help herself lol) … and still finish off Santa’s Other Reindeer for the up coming Holiday season.
And it hit them, “lets make it a follies” they said at about the same moment. It always fascinates me to see how their minds work so well together. “A funny skit-based show that could easily be broken down into demo performances so that theatrical groups could perform snippets ‘around town’ to garner more interest, and instead of writing new music that we just don’t have time to do right now, we’ll work music from our existing musicals into it.” It was brilliant, so much so I had to add, “you know, when a theatre wants to also do one of our other musicals, it ties their season together nicely and they can use Follies as a marketing tool for whats to come, or a recap tool for what just happened.” We’re always looking ways to help theatre’s fill seats!
Well, I’ve rambled quite a bit on this story, so sorry, thank you for your patience and for reading it through. I hope you enjoy these behind the scenes moments from here at J&G and that Follies brings you joy and keeps your toes a tappin’!
All my best,
This is the story of a family with a history steeped in the fire of war and the heartache of loss as they discover the importance of learning who they are by coming to know and understand who and where they came from…No matter how UNSPEAKABLE it may be!
UNSPEAKABLE! has a hint of the supernatural and a powerful message artfully crafted to bring tears to your audiences’ eyes while not letting them leave the theater depressed.
Over the years, many of you have said to me, “let me know when you have a powerful, serious drama.” Well, this is that day my friends.
I’ve read it myself, and listened to the live read-through’s. After the first read-through, I called it a 7-tissue piece (that’s how many tissues I needed for just the tail-end of it).
And then Judie calls me one afternoon, sobbing her heart out. I thought something was seriously wrong and was ready to speed over to rush someone to the hospital.
Thankfully that was not the case. Apparently, she’d just finished some reworks and edits of this piece to polish it and implement feedback from directors who had critiqued it for us … and she just couldn’t contain the emotion of it.
The thing that fascinates me the most with this work though, is not only do you get the intrigue and suspense of mystery; a sense of anger as you watch the jerk of the story trying to tear the family home apart out of greed; the pain of loss due to the unspeakable death of a child; the anxiety of regret and the spookiness of the hint of the supernatural (all the rage these days) — but in the end, somehow, Judie and Gary manage to leave you with a watery smile.
The audience is left with a feeling of hope and a sense that while something truly UNSPEAKABLE has happened, their is hope for the future. Out of all darkness some good must come.
I hope you enjoy it as much as I did! I just wish I could send you the tissues through email as well 😉
All my best,
What an amazing performance by Methacton Community Theatre who put the Sapperstein & Murway comedy, The Irish Wake of Patty O’Toole on stage from March 6 through 16.
Stage Magazine wrote their performance up, two times, found here: http://bit.ly/1d436ww.
“Sapperstein and Murway have written a fun filled evening of Irish themed humor. The cast is having a ball and it radiates to the audience,” — Arnie Finkle, Stage Magazine.
Patty O’Toole has passed on and the town gathers at his wake to mourn and remember this mischievous trouble maker and his leprechaun inclusive events when it seems, Patty’s not done creating mischief. He shows up at his own wake rather than wait in line at the pearly gates for his turn at his interview.
Check out “The Irish Wake of Patty O’Tool” in our catalog by clicking here.
Mother Truckers hits the road in Florida with the Crane Point Museum and the audience laughs all the way to “Rosie Mae’s Truck Stop” where they “eat here and get gas.”
Loretta Geotis of Crane Point shared her input on what she and her group did:
“I had the pleasure of working with J&G Unlimited in creating a fundraising project for my organization. I decided to have a dinner and a play. I had read “Mother Truckers” a few years prior while working as Executive Director at a community theatre. I remembered the script and decided to use it for my event. The script is well-written and very funny and has a small cast which was a necessity in my case.
I was able to enhance the story by adding funny signs and props including a sign that said “Rosie Mae’s Truck Stop – Eat Here and Get Gas.” I created a “truck stop” environment with checked tablecloths and toy trucks and I-95 signs incorporated into the centerpieces. My truck was carefully constructed and lit up which added to the ambiance.
The PressPlay CD sound track [provided by J&G with materials] finished off a great product and the audience was surprised at the first “truck engine” sounds and was still laughing when the toilet flushed for the final time. The truck itself got an applause.
My audience loved it from beginning to end. Judith at J&G was fun to work with and made the whole process worthwhile. Thank you J&G and keep writing those terrific scripts!”
As a result of the Crane Point production, J&G is receiving calls from other states as far north as New York, wanting Mother Truckers because they have been hearing from friends and theatre professionals that it is an extremely funny ride for audiences!
Thank you Loretta, you and your entire cast and crew. What a magnificent job you’ve done!
You can find more information about Mother Truckers at the J&G Website by clicking here.
Well, here we are driving home from the TANYS Festival of 2013 with smiles on our faces, great memories from an amazing event, and a plethora of fabulous new friends and acquaintances.
Although our intention was to introduce the plays and musicals we represent to the New York Community Theatre market, we wound out accomplishing so much more! The people of TANYS (The Theatre Association of New York State) were warm, welcoming and genuine to the core, while being wrapped up in a thick blanket of creativity, talent and presence!
We had so much fun getting to know the amazing actors, directors, producers, members and friends of TANYS while sharing our stories and music and watching the playful arguments of “no you can’t do that one, I want to put that one on,” (ANN) it was truly heart warming and endearing.
Thank you from all of us at J&G to every single person of TANYS for reminding us just what it means to be a part of the amazing world of Community Theatre — people, relationships and a dedication to the craft and storytelling excellence! As I said in my short speech given while awarding the raffled free show, “You are what Community Theatre is all about, you, the people in this room and others like you around the country, make Community Theatre possible!”
Even the meetings and events were entertaining with the great humor and anecdotes from speakers like Rob, and 2013 TANYS President Bob Frame. To open the Festival’s closing board meeting, Festival President, “Big Rob” Sharman introduced the drawing of the J&G Free Show Raffle. The amazing and talented Elisa Hunt of Auburn Players won the Raffle and the room oo’d and ah’d when we described in detail just what she’d walked away from the event with … one free J&G production of her choosing, up to 6 shows, and it includes all materials and even printed posters.
We will release a short interview with Elisa soon where she announced her selection of our musical, Bloomin which should be on stage under her skilled direction in August of 2014. Be sure to check back with us here for updates and to visit TANYS’ site to learn about the TANYS performance winners who are now moving up to ESTA!
See you all in Maryland in January 2014 where J&G will be giving away ANOTHER free show, all materials included, of up to 6 performances!
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The Rosarito Theatre Guild of Baja California signed to perform Dancer the Footloose Reindeer December 6, 7 & 8, 2013.
my “Dancer” Director is anxious to start working on his production yesterday. I must admit that he & I have giggled over Dancer’s hi-jinks and are looking forward to working on it,
–Sylvia Dombroski, Rosarito Theatre Guild.
Ruth K. Brown, Director
As a director I appreciated the fact that with my recent production of Women are from Venus; Men are from Uranus, J&G provided flexibility in casting, script usage and script changes to accommodate my vision and the limitations of the venue.
Royalty fees are on a sliding scale including the estimated audience size which is a key consideration for community venues. Royalty fees also include a CD with all of the music and sound effects required for the production. This is done using the PRESS PLAY method developed by J&G. For any low budget community theatre, complex sets can also pose problems. J&G keep their sets simple, i.e., often a single room, to keep production costs down.
I found the J&G staff very accommodating. They reached out during the rehearsal period to make sure any problems were resolved easily and reasonably. Permission, royalty and photo usage forms were provided quickly and in an easy-to-use format. J&G wishes to build relationships with those who perform their works, and they have already sent me FREE perusal copies of three additional plays for my future consideration.
Georgiana R. Staley and Wayne Meadows star as Woman and Man in The Everett Theatre’s production of WOMEN ARE FROM VENUS, MEN ARE FROM URANUS.
As part of my theatre work I also serve on the Board of Directors of the Delaware Theatre Association (DTA). DTA sponsors an annual short play festival showcasing work performed by community based theatres. Conversations with J&G have led to a commitment to re-write Women are from Venus; Men are from Uranus to a shorter length allowing submission at the 2014 festival which I will be directing with great enthusiasm.
In summary, my experiences working with J&G Unlimited, Inc. were delightful; and I will continue to consider and to recommend their works to other directors!
“There is something for everyone in this show [Women are from Venus, Men are from Uranus], which is sure to have you laughing and perhaps sighing a little, as evidenced by opening night’s audience.” – Stage Magazine, May 2013
BENEFITS OF WORKING WITH TLC Scripts AS PER RUTH:
- On-site printing capabilities so flexibility on what is received can usually be accommodated
- PRESS PLAY to eliminate or greatly reduce music and sound effect license fees
- Royalty fees are on a sliding scale including size of expected audiences
- Royalty fees include a PRESS PLAY CD with the sounds/music required by the script
- Flexibility with casting and even script versioning
- Permission and license forms are quickly received and easy to use
- Production photos and/or videos on their Facebook page for increased promotion
- Outreach during rehearsal period with the intent to help ensure production success
- Accommodation of other theatrical requirements if using one of their productions in a different way